PAINTING
Human Order No.4 - Human Altar
Dec. 2025
Oil on Canvas
24 x 36 in
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Kneeling at a circular altar, a body carries a world it did not choose. Between pressure and faith, loneliness and courage, the figure holds the moment before collapse, where living begins to resemble sacrifice.
Human Order No.2 - The Garden Within
Nov. 2025
Oil on Canvas
24 x 30 in
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The architecture feels like a remnant — part shelter, part memory — forming an in-between space where inside and outside blur.
Human Order No.2 observes how a place not built for living becomes lived in, where neglect and care, reality and imagination, sit in the same frame.
Human Order No.3 - The Endless Desks
Dec. 2025
Oil on Canvas
24 x 30 in
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Desks repeat like a looping conveyor. A larger desk stands for authority; smaller ones push toward it, marked by scratches and collisions.
Light from both sides keeps the space between what has passed and what might come next.
The scene holds a quiet resistance and a sharp, competitive drive — tensions formed not by choice, but by a system that keeps moving.
Human Order No.1
Oct. 2025
Oil on Canvas
30 x 24 in
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The system arrives first and the person is scaled to fit.
Order reads as inheritance rather than choice, a framework the world delivers before one can speak.
Return or Departure
Dec. 2025
Oil on Canvas
30 x 24 in
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The painting stays with the interval between leaving and returning, where both directions remain open, neither safe nor certain.
The Elsewhere
Nov. 2025
Oil on Canvas
30 x 24 in
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The pose holds both struggle and clarity — the sense of knowing what must change, even before knowing how.
The work sits between uncertainty and escape, where desire for elsewhere begins to outweigh the gravity of the present.
The Crack
Nov. 2025
Oil on Canvas
30 x 24 in
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Tools sit in the foreground as if they should speak to the blueprint on the wall — a drawing of the Golden Gate Bridge.
Yet a crack runs through the surface, revealing a distance that skill cannot close: understanding does not guarantee construction, method does not culminate in form.
The work reads this crack as structural rather than emotional — a way to measure the distance between drawing and making, between believing oneself ready and discovering the world isn’t.
When You Fall into the Abyss
Aug. 2025
Oil on Canvas
30 x 24 in
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The body’s fall reads as departure from sanctity — an escape from architecture’s demand to be believed, even at the cost of direction.
Abyss appears as counter-orientation. The fragment drawn from Ronchamp is rendered as spatial logic rather than devotion.
Rotation and gravity remain reversible; nothing confirms which side is up, or which choice counts as surrender.
Self-portrait
Sept. 2025
Oil on Canvas
24 x 30 in
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A bisected body measures the distance between desire and expectation. Self-portrait as interval — defensive, unresolved, in transition.
A Dream Is A Fragile Blade
Sept. 2025
Oil on Canvas
24 x 30 in
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Two perspectives meet at a barrier: inside the dark, a figure tests the edge of a blade or shard, trying to cut through what refuses to open.
The work stages escape as double vision: resolve and fear sharing one body, orientation drawn as a fragile blade.
Fever No.1
Nov. 2025
Oil on Canvas
14 x 11 in
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A small painting in cool tones. Layered blues and greens build a quiet interior where fever makes time feel suspended.
Fever No.2
Nov. 2025
Oil on Canvas
14 x 11 in
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Fever No.2 focuses on interior experience — how a body feels from the inside, when perception turns into temperature.
A Dream in Bloom
Aug. 2025
Oil on Canvas
24 x 36 in
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A dream-terrain where a river winds like time without destination. Bloom reads as contradiction — leaving the scene suspended in quiet, irresolvable sadness.
Left or Right
Oct. 2024
Oil on Canvas
24 x 30 in
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A landscape fractures into two possible directions, functioning as a psychological field rather than a fixed geography.
Space becomes a question, not a destination.
A Dream in the Winter Night
Mar. 2023
Oil on Canvas
24 x 30 in
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Interior and exterior collapse across the frozen surface, where reflection becomes a site of projection.